DABKE: the human experience

DABKE: the human experience

Folk dances can be found in countless areas around the world.  They are used as a way to build community, create a national identity, and reflect the life of a group of people. When the state of Israel was founded in 1948, the Jewish community needed to create and establish a national identity. They did this, in part, by taking elements of Arab culture and transforming them into a new expression of their community and heritage identified with the new…

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Utah Dine Bikeyah & RDT: The Ethic of a Sacred Land

Utah Dine Bikeyah & RDT: The Ethic of a Sacred Land

Repertory Dance Theatre is the only dance company to receive a grant from the (currently) embattled Environmental Protection Agency (EPA), and at the time (2011) the Company took some hard hits from Utah’s congressional delegation, two of whom argued that, especially during a recession, funding from the Federal Government to a modern dance company–even one as celebrated as the country’s premier repertory dance company–was an example of government waste. Long before that tempest in a teapot, RDT had dedicated itself…

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VOYAGE: RDT takes you on a trip through World Dance

VOYAGE: RDT takes you on a trip through World Dance

Using the Utah Core Curriculum Standards for Dance, Social Studies and Language Arts, Repertory Dance Theatre presented a special matinee to over 1,500 students last week at the Rose Wagner Performing Arts Center. American Modern Dance is a rich tapestry which has been influenced by the music and movement of cultures worldwide. Dance has been part of community life as a form of communication, empowerment, and entertainment for centuries. Rhythms and patterns gathered from Africa, Asia, the Middle East, Europe,…

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REGALIA 2017

REGALIA 2017

REGALIA 2017 was a process, a performance, and a party for the ages. On February 11, 2017, four choreographers {Nick Blaylock, Aubry Dally, Eric Handman, and Nichele Van Portfleet} were each given 8 dancers and 4 hours to create a brand new piece of choreography. The audience was invited to watch the choreographers work in the studio, and then see the final performance in the Jeanne Wagner Theatre. In the meantime, audience members enjoyed delicious dinner from Utah Food Services,…

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Accounting for Change at Repertory Dance Theater, part 2

Accounting for Change at Repertory Dance Theater, part 2

By Joanna L. Johnston, MBA, CPA RDT Board Treasurer and UACPA Non-Profit Committee Member This article was originally published in The Journal Entry, a publication of the Utah Association of Certified Public Accountants. Writes Joanna, “Since this article was published in 2014, I’ve learned so much more about Repertory Dance Theatre and the art form. Consequently, I’ve re-upped for another term as a trustee of RDT’s board. This extended stay at America’s premier repertory dance company has given me added…

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Accounting for Change at Repertory Dance Theater, part 1

Accounting for Change at Repertory Dance Theater, part 1

By Joanna L. Johnston, MBA, CPA RDT Board Treasurer and UACPA Non-Profit Committee Member This article was originally published in The Journal Entry, a publication of the Utah Association of Certified Public Accountants. Writes Joanna, “Since this article was published in 2014, I’ve learned so much more about Repertory Dance Theatre and the art form. Consequently, I’ve re-upped for another term as a trustee of RDT’s board. This extended stay at America’s premier repertory dance company has given me added…

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