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Movement That Transcends its Meaning: New Work in RDT’s EMERGE

Movement That Transcends its Meaning: New Work in RDT’s EMERGE

A hand placed over your mouth …

A hand covering your eyes … your partner’s eyes …

Grabbing someone by the neck …

Imagine my joy when I get feedback on my piece saying, “Wow, you did a whole dance about the ‘forbidden’ gestures.  That was gutsy.”

Oops … I totally did.

How did this happen?  I didn’t mean to use gestures that I’ve seen a million times before–that have been done so often that they almost don’t mean a thing.

When I choreograph I usually try to keep one thing in mind DO SOMETHING DIFFERENT.

What does that mean exactly?  That statement is a lot harder to fulfill than it might seem–it requires that you be fully aware of your habits, your usual choices, your movement style and movement vocabulary.  It means you have to explore new musical choices, you have to break old habits, you have to push yourself to do something you find uncomfortable. It means you have to ask yourself, “Do I want to just do something different than what I’VE done before?  Do I want to do something that NO ONE has ever seen before? Do I focus on a new movement vocabulary?  A new process?”

In this day and age, that’s very hard to do–not all movements are created equal.

Contemporary dancers live in a time that is so saturated with movement that many movements or “moves” are already freighted with associations, ideas, images, or even time and place.  They become a kind of short-hand that short-circuits the creative process. Hence, the forbidden moves …

  • death drop to one knee
  • tricks/leaps/turns that we can see coming because of a preparation, a set up, or a chasse that ALWAYS comes before the trick
  • moves that are made famous in a music video and are then copied by people in every walk of life: for example, The Whip, the Dab …
  • grabbing your head in both hands and moving it in a big circle
  • reaching out into space, grabbing nothing with a pained look on your face
  • a fan kick or side tilt with your who-who-dilly directed straight at the audience
  • any of these moves by the now in-famous Contemporary Eric …

In dance we use the term “movement vocabulary.” And as with spoken language, moves (like words) can come and go, becoming fashionable and then unfashionable. And they can also lose their meaning altogether, just as words and terminology do: Who knows what the word “synergy” means these days (especially when they appear in a business book), or “surreal.” Words actually do have a denotative meaning (you can look them up in a dictionary), but they’re used so commonly (“We need to have ‘closure’.”) that terminology can become bereft of meaning, even leading, in its extremes, to what’s been called “semantic satiation.”

The same is true of vocabulary in movement or dance. There are overused phrases or words that eventually when spoken or performed no longer carry meaning or importance which have been lost over time after they were used repeatedly without focus or intent. In dance, it’s not just mindless repetition that causes this; sometimes the language loses its power when it is tied to the lyrics of a pop song or even just the crescendo of the music.  In fact, these moves can actually subtract meaning from your work by referencing something so common place, so well-known that they become virtually indecipherable.

So why on earth did I use several of them as a motifs for my duet Folie A Duex which debuts this weekend at RDT’s Emerge?

Good question. I don’t know–all I can tell you is, I wasn’t thinking about those moves as stock gestures.

It was about following an idea … a feeling–a state of being–a brief image that popped into my head, months ago, as I was thinking about this duet.

I don’t believe in questioning an idea. I simply work to fulfill that idea, and that idea comes with a movement vocabulary, a style, a series of qualities.  I work to identify those qualities and create movement, partnering, and dance structures that fit that idea.

Yes … my original idea did include these moments of touching, of covering eyes, mouths, necks, check, hips, etc.  But it was the quality of touch that was important.  It was the way the dancer made contact with themselves or their partner that caught my attention … that’s what I was exploring.  It didn’t seem to matter that I’d seen the gestures before.  Obviously, that didn’t even cross my mind.

I guess that like a creative writer, I was exploring movement language in a new way.  I was exploring the quality of the language, these moves in their purest form. They aren’t made in anger, in sadness. They aren’t moments designed to represent tenderness or compassion.

RDT Dancers Ursula Perry and Dan Higgins will perform “Folie A Duex,” an original work by Nick Cendese at EMERGE.

This is a challenge for both the dancers (Ursula & Dan) and myself. We’ve worked hard to coach one another in how we touch each other: the directness of the hand, the firmness of the touch, the way the hand doesn’t caress up the body to the place where it ends. All these gestures, when you look at them closely, have what seems to be inherent meaning.  The most basic arrangement of the duet–a man and a woman–already says so much! Humans are meaning-making creatures and we subscribe meaning to almost everything we see, even when we don’t mean to or know we are doing it.

As choreographer, I want my dancers to be able to perform these gestures, which makes up the work’s “language,” without commenting on them. If I’ve done my job properly, you won’t see the touches as the main goal of the piece. These moves that have been executed a thousand times are a recurring motif that, hopefully, has been used to paint a picture of a feeling, of a moment between two people, a moment that is intangible and diffuse and ghost-like.  A moment that lives openly and allows you, the viewer, to enter the conversation and to add your own meaning. In a sense my objective is to have the movement in “Folie A Duex” transcend the meaning of its vocabulary, something that a poet–whose tools are words drawn from the pool of vocabulary we all use–is always aspiring to.

Come see if I was able to do that this weekend at Emerge–my little duet based around forbidden movements.

RDT Gift Guide for the Dancer (or dance lover) in your life

RDT Gift Guide for the Dancer (or dance lover) in your life

the ultimate

Dance Classes

Every dancer knows that the only way to get better is to take class! Even our professional dancers take class EVERY DAY to get better, hone their skills and progress.

But you don’t have to be a professional dancer to take class. At RDT’s Dance Center on Broadway, we offer classes for every skill level (even if you’ve never set foot in a dance studio before).

All classes are in the evenings and on weekends, so they fit into your schedule and there’s no long-term commitment! You can drop in to classes as you please.
And …  there’s everything from Modern to Hip Hop to the newly formed Bollywood class!
Check out the full schedule here.

A 10-Class punch-card is good for any class on the schedule and the best bang for your buck.

Purchase Now

 

If you’d like to purchase a gift card for your loved one in a denomination other than $100, contact us. 🙂

And … if you can’t decide, check out the OPEN HOUSE on January 7. You can dance all day for just $10! Learn more>>


Concert Dance Tickets

Not everyone wants to try dance — they’d rather just watch. And who’s to blame them? Beautiful bodies moving beautifully on stage is really a sight to behold.
Well … you’ve come to the right place. This is our specialty. 😉

RDT has a incredible shows coming up that you won’t want to miss.

For the wild spirit: EMERGEEMERGE_DATE

EMERGE is RDT’s dance choreography showcase, featuring 8 dances by the RDT dancers and Artistic Staff. Dances feature local artists as well as RDT dancers.
It’s the place to be to see the next generation of choreographers. BUY TICKETS HERE>>

For the party animal: REGALIA

REGALIA is not only a choreographic spectacle, but an awesome party! With a VIP ticket  you and your guest will enjoy a generous cocktail hour while you wander the studios of the Rose Wagner to watch dance being created before your very eyes.
Then you’ll devour a scrumptious meal catered by Utah Food Services in the Leona Wagner Black Box Theatre.
Then it’s time to watch the newly created REGALIA_datedances on stage by 4 competing choreographers who have been selected for the experience, artistry, and wit.
After which you get to vote for your favorite to win an RDT commission for next year!
Afterwards, join the whole cast and audience on stage to dance the night away with the Joe Muscolino Band.
A seriously awesome evening.

BUY TICKETS HERE>>

Not quite in your price range? Check out the Performance Ticket for just $50. You’ll see the full performance and get to dance on stage after the show!

 

15109588_10154192988690197_7574637109403919961_nFor the undecided: ArtTix Gift card

You can purchase ArtTix gift cards so they can choose the RDT show they want to see!

Click here to purchase


 RDT-79_dan_winterdanceWinter Workshop

For the semi-professional/pre-professional dancer in your life. Check out WINTERDANCE, for the dancer who is really serious.
Students will work with RDT dancers in technique, improv, composition, and … even learn a piece to perform at RDT’s concert EMERGE, January 6-7!

Learn more>>

 


 Kneeotech Yoga/Dance Pants

If you’ve ever taken a dance class, you’ve probably had some aches in your knees. Kneeotech by Evolution Activewear has the solution. Their stylish yoga pants have knee-pads built right in. So you can take yourself to the floor with ease and not worry about your knees turning as purple as RDT’s logo. 😉

RDT endorses Kneeotech and loves wearing these awesome pants in rehearsal. Check out the RDT dancers trying them out!

LEARN MORE & PURCHASE


Support Everyone’s Favorite Dance Company

While everyone loves getting “things” …  sometimes the gift that means the most is the gift of giving back.
If RDT means a lot to you (or someone you care about), consider making a donation to help us continue to create, preserve, perform, and perpetuate the art of modern dance.
You can earmark your gift for for a variety of programs, including RDT’s school outreach throughout Utah; a particular upcoming concert; RDT’s children’s series Ring Around the Rose; or a particular upcoming commission or reconstruction.

Donate Now

 

If you’d like to make a donation in someone’s name as a gift, including a membership in RDT’s new Sustainers Club (with cool perks!), just click “This is a tribute donation” when prompted. 

THANKYOU


 

MERCHANT_PARTNERS300X300And one final idea…

If the best idea for your loved one isn’t on this list … consider SHOPPING TO SUPPORT RDT.
You can use this link to shop at some of your favorite retailers (only some of which are shown here), and RDT will get a percentage back in return!
And all you have to do is shop!
Shop to Support


Or check out the RDT Gift Shop for some awesome T-shirts!

Shop Now