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Tag: Personal Point of View

From the Choreographer: William “Bill” Evans

From the Choreographer: William “Bill” Evans

In this artistic statement, William “Bill” Evans talks about his upcoming concert at Repertory Dance Theatre (Nov. 16-18, 2017) TOP BILL, a retrospective of five decades of choreography. Evans, an RDT dancer alum, has regularly returned to Utah, where he is from, to create new work for RDT and to re-stage contemporary classics from his prodigious oeuvre. RDT’s second concert of its 52nd Season, TOP BILL showcases the breadth and virtuosity of Evan’s lengthy career as a dancer (both modern,…

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Letting the Movement Happen to Us: Reflections of a UVU Guest Dancer in RDT’s “Tower”

Letting the Movement Happen to Us: Reflections of a UVU Guest Dancer in RDT’s “Tower”

By Lauren Bloomfield When I first found out that we were going to be working with Andy Noble and Repertory Dance Theatre and would perform in their concert, I was amazed. Though excited and grateful for the opportunity, I was also nervous. This would be a very different experience than what I had done before, and I wasn’t sure what to expect. First off, I haven’t worked in that big of a group of dancers since high school and, even…

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Finding Touring Opportunities for RDT

Finding Touring Opportunities for RDT

by RICKLEN NOBIS  The best part of the job of booking Repertory Dance Theatre (RDT) on tour is the opportunity to develop long-standing relationships with wonderful and enlightened community arts presenters all over the country.  The job of community arts presenters in turn is a true balancing act:  how to present a season of local performances to their respective audiences that offers a full and diverse palette of artistic experience? How—for example—does an RDT performance fit in with a concert…

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“WE COME OUT DANCING TOGETHER” Red Rock Stories Gives Language to the Spirit of RDT’s New Commission

“WE COME OUT DANCING TOGETHER” Red Rock Stories Gives Language to the Spirit of RDT’s New Commission

by Stephen Trimble The leaders of the Bears Ears Inter-Tribal Coalition use the word “healing” whenever they define their relationship with the redrock of Utah’s public lands. Eric Descheenie says, “By protecting these sacred ancestral lands we can take an important step towards healing.” Descheenie, a Navajo, emphasizes this “indigenous truth” as the foundation for all discussions about why the newly-proclaimed Bears Ears National Monument needs our attention. For Navajo leader Willie Grayeyes, “protecting Bears Ears is not just about…

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“We Are Changed”: A day-by-day Report on RDT’s Trip to Bears Ears (Part III)

“We Are Changed”: A day-by-day Report on RDT’s Trip to Bears Ears (Part III)

In Part II, Linda C. Smith, RDT’s Executive/Artistic Director, reported on the group’s visit to Fry Canyon Ruin, the precipitious switchbacks of Moki Dugway and a kiva at the Cave Tower Ruin before the dancers spent time doing improvisation, culminating in a shamanic healing ritual by one of the Native American guides, Ida Yellowman (Dine).  Here in the final installment, Part III, the group continues to the Moon House Ruin, The Procession Panel hike and a community gathering in Bluff, Utah,…

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CREATING DABKE: An interview with Zvi Gotheiner

CREATING DABKE: An interview with Zvi Gotheiner

Choreographer Zvi Gotheiner explores the choreography of DABKE and his relationship with RDT. DABKE runs April 6-8, 2017 at the Rose Wagner Performing Arts Center. This video will open the show. Learn more and get tickets here.  ABOUT ZVI GOTHEINER ZVI GOTHEINER was born and raised in a kibbutz in northern Israel. Zvi began his artistic career as a gifted violinist with the Young Kibbutzim Orchestra, where he attained the rank of soloist and Concertmaster at age 15. He began dancing…

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