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RDT’s Annual Gift Guide

RDT’s Annual Gift Guide

For: the DANCER RDT’s Dance Center on Broadway {the everyday dancer} RDT’S DANCE CENTER ON BROADWAY offers classes for adults (ages 16+) evenings and weekends at the Rose Wagner Performing Arts Center. Classes are for all levels in a variety of styles, so there really is something for everyone. Students can drop-in to classes when it works for them — there’s no pressure to register for an entire session. You can purchase gift cards on our website for any amount…

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Elle Johansen: How to Keep it all Straight

Elle Johansen: How to Keep it all Straight

  Repertory Dance Theatre has over 300 dances in our repertory, or “library of dances.” So how do dancers keep it all straight? Second-year Company member Elle Johansen explains how she does it — especially in learning different roles in different dances as both a guest and full-time company member.  If you ask an RDT dancer how long they have been on the company, most have a definitive answer, but I often struggle to find mine. I have been learning…

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From the Choreographer: William “Bill” Evans

From the Choreographer: William “Bill” Evans

In this artistic statement, William “Bill” Evans talks about his upcoming concert at Repertory Dance Theatre (Nov. 16-18, 2017) TOP BILL, a retrospective of five decades of choreography. Evans, an RDT dancer alum, has regularly returned to Utah, where he is from, to create new work for RDT and to re-stage contemporary classics from his prodigious oeuvre. RDT’s second concert of its 52nd Season, TOP BILL showcases the breadth and virtuosity of Evan’s lengthy career as a dancer (both modern,…

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Letting the Movement Happen to Us: Reflections of a UVU Guest Dancer in RDT’s “Tower”

Letting the Movement Happen to Us: Reflections of a UVU Guest Dancer in RDT’s “Tower”

By Lauren Bloomfield When I first found out that we were going to be working with Andy Noble and Repertory Dance Theatre and would perform in their concert, I was amazed. Though excited and grateful for the opportunity, I was also nervous. This would be a very different experience than what I had done before, and I wasn’t sure what to expect. First off, I haven’t worked in that big of a group of dancers since high school and, even…

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“WE COME OUT DANCING TOGETHER” Red Rock Stories Gives Language to the Spirit of RDT’s New Commission

“WE COME OUT DANCING TOGETHER” Red Rock Stories Gives Language to the Spirit of RDT’s New Commission

by Stephen Trimble The leaders of the Bears Ears Inter-Tribal Coalition use the word “healing” whenever they define their relationship with the redrock of Utah’s public lands. Eric Descheenie says, “By protecting these sacred ancestral lands we can take an important step towards healing.” Descheenie, a Navajo, emphasizes this “indigenous truth” as the foundation for all discussions about why the newly-proclaimed Bears Ears National Monument needs our attention. For Navajo leader Willie Grayeyes, “protecting Bears Ears is not just about…

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“WE ARE CHANGED”: A day-by-day Report on RDT’s BEARS EARS Tour (Part I)

“WE ARE CHANGED”: A day-by-day Report on RDT’s BEARS EARS Tour (Part I)

By Linda C. Smith Repertory Dance Theatre (RDT), believes that each of us has a unique “sense of place” that can be explored through movement and art. Out of this impulse now comes RDT’s new initiative “Sacred Lands/Sacred Waters” and its first iteration, linked to the newly-proclaimed Bears Ears National Monument in southeastern Utah. Titled “Dancing the Bears Ears” this new commission has been hatching for over 25 years. Americans are faced with many concerns about the future of our…

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