Zvi Gotheiner Tag

During our time with RDT, what is your favorite piece you have performed and why? During my six years on the company, I have performed around a hundred dances! Choosing just one of those is very difficult… So I’ll mention a few.  Dabke by Zvi Gotheiner We have a lot of Zvi Gotheiner’s work in our repertory, and dancing “Dabke”

Written by Linda C. Smith Artistic/Executive Director We live in a country like no other. As Americans, the landscape we call home has always been part of our continuing story. Since the early 1990’s, RDT has been commissioning works that celebrate and examine our human connection to land and water, critical issues here in America’s Mountain and Southwest regions. SANCTUARY focuses

In Part II, Linda C. Smith, RDT's Executive/Artistic Director, reported on the group's visit to Fry Canyon Ruin, the precipitious switchbacks of Moki Dugway and a kiva at the Cave Tower Ruin before the dancers spent time doing improvisation, culminating in a shamanic healing ritual by one of the Native American guides, Ida Yellowman (Dine).  Here in the final

By Linda C. Smith Repertory Dance Theatre (RDT), believes that each of us has a unique “sense of place” that can be explored through movement and art. Out of this impulse now comes RDT’s new initiative “Sacred Lands/Sacred Waters” and its first iteration, linked to the newly-proclaimed Bears Ears National Monument in southeastern Utah. Titled “Dancing the Bears Ears”

Repertory Dance Theatre (RDT)  had a wonderful weekend of performing April 6-8, 2017 RDT's Season closer DABKE, one of the dancers' favorite pieces to perform. We had three straight nights of standing ovations, heartfelt comments from audience members, and an amazing emotional connection to the work and to the audience. RDT dancer Efren Corado Garcia epitomizes the gratitude and enthusiasm

Repertory Dance Theatre is the only dance company to receive a grant from the (currently) embattled Environmental Protection Agency (EPA), and at the time (2011) the Company took some hard hits from Utah's congressional delegation, two of whom argued that, especially during a recession, funding from the Federal Government to a modern dance company--even one as celebrated as