SOUNDS FAMILIAR, what a whirlwind! It was such a joy, and quite a challenge to create. Working with multiple choreographers and grasping multiple ideas was a great exercise in what I feel RDT does best, cultivating and curating all styles of modern dance. Symphony No. 1 in D Major ("Classical") - John Mead Of the twelve choreographers, it was truly special to
Upon starting the 2019-2020 season with Repertory Dance Theatre, I found myself thrust into the moment. In the dance world, there is never enough rehearsal time and never too much preparation because our art can always dig deeper and discover new depths. Filament by Andy Noble As the newest dancer just starting my first year, this proved true. Besides
When learning new dances, as a company, we have a flexible system in place that allows us to best serve each choreographer’s individual needs. In the topic I’m writing about today, this flexibility comes in the form of learning from a former company dancer and current staff member rather than the choreographer himself. During my seven years on
Event by Bebe Miller When I heard we would be working with Noa Zuk and Ohad Fishof again, I was truly ecstatic. Five years has passed since they last worked with us (2014), and during that initial five week process they developed a new work for the company titled By the Snake. This time around they re-staged a
As I look back on the past five years of work with Repertory Dance Theater, I find one of the most interesting aspects of being a company member is the immense detail and full investment of artist and dancer during a choreographic process. Throughout each residency, a choreographer comes prepared in a way that is different and
Bebe Miller I love the moment a new guest artist walks through the door. There is an air of excitement, an unknowing force that fills the room with anticipation and this was especially true for our latest guest, Bebe Miller. Not only have we had the privilege of working with Bebe Miller the past week and a half
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