Repertory Dance Theatre Tag

by RICKLEN NOBIS  The best part of the job of booking Repertory Dance Theatre (RDT) on tour is the opportunity to develop long-standing relationships with wonderful and enlightened community arts presenters all over the country.  The job of community arts presenters in turn is a true balancing act:  how to present a season of local performances to their respective

by Stephen Trimble The leaders of the Bears Ears Inter-Tribal Coalition use the word “healing” whenever they define their relationship with the redrock of Utah's public lands. Eric Descheenie says, “By protecting these sacred ancestral lands we can take an important step towards healing.” Descheenie, a Navajo, emphasizes this “indigenous truth” as the foundation for all discussions about why

In Part II, Linda C. Smith, RDT's Executive/Artistic Director, reported on the group's visit to Fry Canyon Ruin, the precipitious switchbacks of Moki Dugway and a kiva at the Cave Tower Ruin before the dancers spent time doing improvisation, culminating in a shamanic healing ritual by one of the Native American guides, Ida Yellowman (Dine).  Here in the final

By Linda C. Smith Repertory Dance Theatre (RDT), believes that each of us has a unique “sense of place” that can be explored through movement and art. Out of this impulse now comes RDT’s new initiative “Sacred Lands/Sacred Waters” and its first iteration, linked to the newly-proclaimed Bears Ears National Monument in southeastern Utah. Titled “Dancing the Bears Ears”