Upon starting the 2019-2020 season with Repertory Dance Theatre, I found myself thrust into the moment. In the dance world, there is never enough rehearsal time and never too much preparation because our art can always dig deeper and discover new depths. Filament by Andy Noble As the newest dancer just starting my first year, this proved true. Besides
Andy Noble danced with RDT from 1998-2004. Since then, he has gone on to become a professor at Sam Houston State and create a company of his own - NobleMotion Dance. During RDT's 50th anniversary, Andy competed in the first ever REGALIA choreographer competition
This summer, RDT renewed its relationship with Israeli choreographers Noa Zuk and Ohad Fishof after commissioning them in 2014. These two are partners in life and also artistic collaborators. Together, they make dance work for the stage and for the screen. Both Noa and Ohad have extensive training in Gaga, the movement language developed by former Artistic Director
RDT has been working with Nina Watt in some form or another for the past five years. Starting with Missa Brevis by Jose Limon in 2014, she has been setting work and teaching pedagogy to the Company almost every summer. Critically cited as "the perfect Limon dancer," "a dancer of genius" and "one of the most important modern
When learning new dances, as a company, we have a flexible system in place that allows us to best serve each choreographer’s individual needs. In the topic I’m writing about today, this flexibility comes in the form of learning from a former company dancer and current staff member rather than the choreographer himself. During my seven years on
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